I'm thinking about death because today is my birthday, and birthdays are days for reflection. I have now undeniably used more than half of the upper extremity of years granted me by the 90th Psalm and must face the real prospect that, by the pure mathematical progress of years, there are fewer ahead of me than behind.
Death. It happens to the best of us. I’m not particularly afraid of it — the prospect is more disappointing than anything else — but most deaths these days are drawn out, painful, and personally degrading. Consequently, I want the event to be as brief and trouble-free for me and everyone else when the moment comes, and indeed I’m trying to avoid it, if at all possible. Douglas Adams wrote that the “trick” to flying is to throw yourself at the ground and miss. When the moment comes, I intend to hurl myself, unflinching, at death. And hope to miss.
Many Christians say that life must be considered sacred from “conception to natural death”, although polls show that most of them are willing to make exceptions in cases where they have something personally invested in the matter. I’ll leave the argument about my views on fetal life for another time. Let me instead observe that in our society there is very rarely such a thing as “natural death.” Most dying patients receive highly unnatural forms of palliative care, which often involves essentially stupefying them for their last few days. But there is far more to it than that, even. In the modern western world, even before we are born, we begin to receive the most radical and decidedly unnatural forms of medical treatment and intervention to extend our lives for as long as possible. Any pregnant woman who has had an ultrasound, teenager who has had symptomatic wisdom teeth removed, middle-aged man who has a prescription for blood-pressure; anyone at all who has had antibiotics for a serious infection, stitches to close a wound, a suspicious mole removed, or his tonsils taken out, simply cannot believe in the concept of a “natural death.” If we allowed “nature” to take its course the majority of us would have gone down to the same fate as the majority of people throughout history: we would have died in childhood.
Now, to the moment of death. If we are of sound mind we have a right, of course, to refuse treatment, and when we are incapable of making it for ourselves our family usually is permitted to make it for us. The decision to “pull the plug” is made by thousands of people every day when it is a clear that their brain-dead loved ones are being kept alive only in the sense of having a machine respirate for them. No one serious denies this right, as theoretically machines could keep us all respirating indefinitely, long after the brain has ceased to function. This is non-controversial.
Now, let me put another case to you. Supposing I have been diagnosed with a terminal disease and, at some late point in the disease’s progress, only pain, misery, and total loss of dignity lies ahead. I have an undeniable right to refuse treatment, of course, but with the consequent and probably quite unbearable pain that would accompany such a decision; I have the right to receive large doses of painkillers and spend my last days or weeks in a narcotic haze, which is the standard method of passing for most people nowadays. However, I do not have the right, not even in the clearest of mental states, to ask a physician to give me a lethal dose of drugs to end my life as quickly as possible.
Well, not quite. I can ask, but as matters stand no physician in Canada legally can fulfill my request. He or she can leave me dead to the world but not actually dead. But why not? There are, of course, serious concerns about the administration of such treatments, were they to be legal. There would have to be careful safeguards to ensure that people with reasonable prospects for recovery don’t end their lives prematurely. We mustn’t have angst-ridden teenagers showing up at our hospitals, asking for lethal injections because they can’t go on after their most recent breakup. But if I am in the later phases of a terminal illness, with no reasonable prospect of recovery and – most crucially – I have been professionally determined to be of sound mind, I see no grounds on which I ought not be permitted to choose to dispossess myself of the one thing that is most my own: my life. The easiest method for doing so would be to ask for the assistance of a willing physician to administer a lethal dose of painkillers.
And why can’t I? There is one answer. Because of opposition on religious grounds, by those who maintain that even fully consensual, physician-assisted suicide that meets precise criteria is a violation of the principle that life is sacred until “natural” death, even though very few of them really believe in the concept of “natural death” at all. In this regard, the only people who are being consistent are those members of certain religious minorities who refuse nearly all medical treatments on the grounds that it is a violation of God’s will. I regard this as perverse, but at least it has the virtue of consistency.
Canada’s constitution guarantees me religious freedom — a freedom which must necessarily include the freedom to be free from the religiously motivated dictates of others. I therefore regard my inability to secure a physician assisted suicide as a violation of my constitutional rights. Some will attempt to make the argument that all of our laws have religious antecedents, and that therefore my argument applies equally to laws against murder, rape, theft, and the like. But there are many grounds for opposing such crimes quite apart from the fact that there are religious proscriptions against them. The conditions of human solidarity and of maintaining human society require them whether your particular god wants them or not. By contrast, secular objections to fulfilling the wish of a terminally ill and clear-minded individual to expedite the process are harder to locate.
It goes without saying, of course, that no physician should ever be forced against his or her conscience or under threat of professional sanction to terminate someone’s life; we all recognize that the decision to end a life is, from both sacred and secular perspectives, a momentous one. The suggestion will be made, of course, that to permit physician assisted suicide will serve to further the secular society’s cruelest failing of all: the supposed devaluation of human existence. But as a historian of war and conflict, I am not at all convinced that, in proportional terms, the century recently concluded was any more violent than others that preceded it nor indeed that it valued life less. Indeed, allow me to suggest that it is possible that from a secular perspective the value of life is even greater – it has an inherent and intrinsic value, because it is the only life that we will ever have.
"I think we ought always to entertain our opinions with some measure of doubt. I shouldn't wish people dogmatically to believe any philosophy, not even mine." Bertrand Russell
Friday, April 22, 2011
Saturday, April 16, 2011
Horror
Bad news. For some reason, the dead have risen. All of them. They are now shambling about in search of human flesh and their bite turns their victims into more zombies. They can only be killed by destroying their brain. Brains do their thing because they’re part of a nervous system and fed by a circulatory system, but massive bodily trauma doesn’t stop zombies. Pretty much any poke to the noggin will, though. Shoot ‘em, stab ‘em, bash ‘em in the head, they go down like bowling pins. The trouble is that there’s too many of them. So, the few survivors of this zombie plague are now huddled together in boarded up buildings, fighting to survive as their food and supplies run low and as internal dissent rises – there’s always one asshole ready to screw things up, isn’t there?
This was the premise of a grim, grimy, grisly and really rather seedy 1968 horror film called Night of the Living Dead, and one think that that would be it, really. What else is there to say? The sequel, where the zombies shamble amok in a shopping mall, nearly indistinguishable from Christmas shoppers, provokes, I will admit, a slight crack at the corner of one’s mouth, but this supposed “social commentary” is just a veneer to conceal the real plot of the film, which is running from zombies. And the exact premise has been retold in literally dozens of films now, including quite pointless remakes of both Night of the Living Dead and its sequel, and in a small avalanche books (including at least one best-seller, World War Z, by Max Brooks), and, of course, in video games, where zombies have become the necrotic analogue to Space Invaders. You keep shooting them. They keep coming. Repeat.
Recently some students commended to my attention a new TV series entitled The Walking Dead. Reading up on it a bit I heard it hailed as as being the very zenith of the zombie drama. This is not the highest accolade, of course, but I did take note of the fact that the show is airing on AMC, the network that brought us two masterpieces of modern television: Mad Men, about 1950s-era advertising agents on the cusp of becoming dinosaurs amidst the social turmoil of the 1960s; and Breaking Bad, about a terminally ill chemistry teacher who becomes a drug dealer in order to provide for his family after he’s gone. I watched some of it and thought that, as zombie television shows go, it was eminently satisfactory, and will be loved by people who love that sort of thing. The producers might want to be careful how they promote their program, though.
The alleged “source material” — as if it needs any — for The Walking Dead is an utterly depraved “graphic novel” (that’s a comic book with sex and swearing) of the same name. I dipped my toe long enough into those waters to wish I hadn’t. A few selective readings revealed, among the usual zombie mayhem, decapitated children, vividly portrayed gang-rapes, and a woman shot through the chest with a shotgun while clutching her baby. They die in a spray of blood and body bits. If you meet people who like this sort of thing, I recommend that you take a step in the opposite direction. The comic's creators offer up the defense that this sort of thing goes on in reality anyway. Okay, granted. The horror genre is about the fear of death. But this isn’t about fearing death - it’s about making pornography out of it.
Zombies seem to be the next big thing in horror, perhaps because nearly all of the vampires have forsaken evil in favour of bedding teenage girls instead. You need only visit the “teen” section of the bookstore to see what I mean. Publishers have apparently given up on trying to get boys to read at all (well, somebody has to vote for the Tea Party) while for girls the teenage girl-meets-vampire-classmate genre has resulted in an avalanche of titles on the bookshelves. I’ve complained elsewhere that I invented this genre in 1986 and won’t renew this complaint here.
Anyway, in any other context, the efforts of a very elderly man to have sex with borderline or flat-out underage females would be called statutory rape or worse. (Edward is 98, Bella is 17; Angel is 240, Buffy is 16; Bill is 140, Sooki is, about 20, I guess.) Now add to it the fact that he is not merely elderly but, according to the genre’s own lore, deceased, and moreover almost invariably trembles on the brink of ripping her apart and eating her, and we have something else entirely. Let’s call it sadocanabalistic necro-adolescent-philia shall we? Something for the DSM V, as apparently millions of teenage girls have it.
Is there nothing new under the horror-genre sun? I am tired of vampires, zombies, witches, werewolves, ghosts, science-experiment run-amok monsters, and, above all, the slasher film, where people, usually teenagers, get butchered by a mask-wearing psycho because they act as if the live in a world where they don't have slasher movies. So I admit that I am curious about this, Rubber. It's a movie about a tire that comes to life and starts killing people. And I hereby claim copyright to the genre of teenagers falling in love with tires that come to life and start killing people.
This was the premise of a grim, grimy, grisly and really rather seedy 1968 horror film called Night of the Living Dead, and one think that that would be it, really. What else is there to say? The sequel, where the zombies shamble amok in a shopping mall, nearly indistinguishable from Christmas shoppers, provokes, I will admit, a slight crack at the corner of one’s mouth, but this supposed “social commentary” is just a veneer to conceal the real plot of the film, which is running from zombies. And the exact premise has been retold in literally dozens of films now, including quite pointless remakes of both Night of the Living Dead and its sequel, and in a small avalanche books (including at least one best-seller, World War Z, by Max Brooks), and, of course, in video games, where zombies have become the necrotic analogue to Space Invaders. You keep shooting them. They keep coming. Repeat.
Recently some students commended to my attention a new TV series entitled The Walking Dead. Reading up on it a bit I heard it hailed as as being the very zenith of the zombie drama. This is not the highest accolade, of course, but I did take note of the fact that the show is airing on AMC, the network that brought us two masterpieces of modern television: Mad Men, about 1950s-era advertising agents on the cusp of becoming dinosaurs amidst the social turmoil of the 1960s; and Breaking Bad, about a terminally ill chemistry teacher who becomes a drug dealer in order to provide for his family after he’s gone. I watched some of it and thought that, as zombie television shows go, it was eminently satisfactory, and will be loved by people who love that sort of thing. The producers might want to be careful how they promote their program, though.
The alleged “source material” — as if it needs any — for The Walking Dead is an utterly depraved “graphic novel” (that’s a comic book with sex and swearing) of the same name. I dipped my toe long enough into those waters to wish I hadn’t. A few selective readings revealed, among the usual zombie mayhem, decapitated children, vividly portrayed gang-rapes, and a woman shot through the chest with a shotgun while clutching her baby. They die in a spray of blood and body bits. If you meet people who like this sort of thing, I recommend that you take a step in the opposite direction. The comic's creators offer up the defense that this sort of thing goes on in reality anyway. Okay, granted. The horror genre is about the fear of death. But this isn’t about fearing death - it’s about making pornography out of it.
Zombies seem to be the next big thing in horror, perhaps because nearly all of the vampires have forsaken evil in favour of bedding teenage girls instead. You need only visit the “teen” section of the bookstore to see what I mean. Publishers have apparently given up on trying to get boys to read at all (well, somebody has to vote for the Tea Party) while for girls the teenage girl-meets-vampire-classmate genre has resulted in an avalanche of titles on the bookshelves. I’ve complained elsewhere that I invented this genre in 1986 and won’t renew this complaint here.
Anyway, in any other context, the efforts of a very elderly man to have sex with borderline or flat-out underage females would be called statutory rape or worse. (Edward is 98, Bella is 17; Angel is 240, Buffy is 16; Bill is 140, Sooki is, about 20, I guess.) Now add to it the fact that he is not merely elderly but, according to the genre’s own lore, deceased, and moreover almost invariably trembles on the brink of ripping her apart and eating her, and we have something else entirely. Let’s call it sadocanabalistic necro-adolescent-philia shall we? Something for the DSM V, as apparently millions of teenage girls have it.
Is there nothing new under the horror-genre sun? I am tired of vampires, zombies, witches, werewolves, ghosts, science-experiment run-amok monsters, and, above all, the slasher film, where people, usually teenagers, get butchered by a mask-wearing psycho because they act as if the live in a world where they don't have slasher movies. So I admit that I am curious about this, Rubber. It's a movie about a tire that comes to life and starts killing people. And I hereby claim copyright to the genre of teenagers falling in love with tires that come to life and start killing people.
Friday, April 1, 2011
University
There is a tremendous amount of finger pointing going on in Japan these days. Officials are asking why this emergency procedure and that emergency procedure failed; about how responses such as rescue work and the distribution of food and water might have been improved, and about what the government could have or should have done. All these things should be talked about. But the real problem wasn’t the response. The problem was the earthquake. And the tidal wave.
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